Freezing times in Rarotonga

Sally Voss at the library with artefacts ready to be frozen.

Two or three times a year CILAMS conducts a programme of freezing to get rid of pests that have taken up residence in our books and small artifacts using a freezer specially bought for the purpose.
Freezing is a non-chemical, non-toxic, and effective pest eradication method which is widely used in the international museum community, but high electricity costs here in the Cook Islands makes it an expensive task so only those items that are visibly affected are treated.
We use an inexpensive household freezer since the required temperature level is –20 degrees Celsius (-5F). The items are tightly wrapped in two layers of polyethylene plastic and sealed with plastic carton sealing tape. (CILAMS uses the Conservation Management guide drawn up by the Northern Territory Museum and Art Gallery, Australia, as its guide for preservation.)
We alternately freeze our infested objects and then warm them to room temperature - hey presto – no more bugs! It’s a non-chemical method to zap insects without a health hazard.
Unfortunately, some of our larger artifacts won’t fit in a household freezer and we don’t have the budget – or the space – for a walk-in freezer but luckily CITC allows us to use some of the space in its commercial walk-in freezers.
Recently Mr Trevor Clarke, director of CITC supermarkets, arranged for space to be made available in one of his walk-in freezers, so that some of our large items can be debugged for two weeks.
CITC staff helped wrap and transport the items both from our museum and the nearby National Museum.
This is the second time CITC has come to our assistance with their freezers and we thank CITC and Mr Clarke for their help in this programme of preservation of our national heritage.

CITC staff ready to carry the artefacts into the freezers.

The tiki and Marquesan art

Above: Modern tiki figures in the Marquesas

The ancient Marquesans were ardent warriors, practiced cannibalism, and emphasised tattooing.
The remnants of Marquesan culture which have survived feature stylised designs worked in wood, shell, bone and stone. Bark cloth, turtle shell, feathers and human hair, as well as dolphin and whale teeth, were also used in the manufacture of objects of great aesthetic appeal.
Of the five archipelagos of French Polynesia, the art of the Marquesans is unquestionably one that developed to a high level of refinement and originality, making it instantly recognisable anywhere. Marquesan art is characterised by the recurrent theme of the tiki, stylised animal figures and intricately interweaving patterns.
While in the Marquesas we were continually struck by the similarities between Marquesan art and Cook Islands art.
The tiki figure closely resembles the representations of the human form in the Cook Islands – flexed legs, hands held to a rounded stomach, and the large head set low on the shoulders giving the impression of quiet strength. However, the eyes of Marquesan tiki are more rounded, almost circular, and the nose is given broad nostrils. The eyes, in some cases, are enlarged to cover more than half the face and a wide mouth is formed by concentric ovals.
Tiki means man or human image but is also the name given to carved images representing gods. Large male tiki were used on me’ae, or outdoor temples, as representations of deified beings.

CILAMS has a tiki in its collection (its age and island of origin in the Marquesas is not known). A visiting dignitary from French Polynesia likely gave it as a gift, along with two other Marquesan items which are also in CILAMS’s collection. Also pictured (right) is a tiki from Hakahau, Ua Pou, carved by Piri Gilmore (2010).

Symposium and Festschrift in Rarotonga

Things have been hectic in Rarotonga recently, firstly with the Pacific Arts Association symposium and then the festschrift for Ron Crocombe.
The PAA symposium was held at the Crown Beach Resort and was very much enjoyed by those who attended. The weather was great, particularly for the craft demonstration day when a number of whales cruised along the reef to add to the occasion.
See Cook Islands News for stories about the symposium.
Many of the visiting museum curators and librarians called in to the library and museum and while somewhat dismayed by the conditions we work under, they had plenty of advice which we’ve already started acting on.
The festschrift for the late Ron Crocombe, our former patron and a long-time supporter of CILAMS, was a great success.
A festschrift is a volume of learned articles by different authors serving as a tribute, or in this case a memorial, to a respected academic.
Papa Ron was much loved as well as respected and a number of distinguished speakers made the journey to Rarotonga to honour his memory. See Cook Islands News for stories about the festschrift.
Now that all the excitement is over we should have time to update the blog again.
More next time…

The Marquesas - Henua Enana (Land of Men)

Hakahau Bay, Ua Pou, Marquesas Islands

The Marquesas are a chain of ten large mountainous islands and some islets in east-central Polynesia. Mendana, who discovered the southern Marquesas in 1595, named them Las Islas de Marquesas de Mendoza, after the wife of the Viceroy of Peru. France has maintained political control since 1832.

Two CILAMS’ council members have just returned from an excursion through the six inhabited islands of the Marquesas. With the memory of the visit still fresh in their minds, it seems an apt moment to reflect on this group of islands, which has many cultural and historical links with the Cook Islands. In a later blog, we will discuss the few Marquesan pieces in our museum collection.
Not only do we share linguistic similarities (particularly Rarotongan), there are also a number of ancient legends and chants in some of the islands of the Cook group, which refer to ’Iva (Marquesas) and the eastern direction (‘itinga ra’, towards the sunrise), as the place from which our ancestors came to settle these islands.
Ancient connections to the Cook Islands
There are a number of legends about Rarotonga, which concern visits by people from ’Iva. Tangaroa and Aumake came from ’Iva for a visit around 450 AD. Aumake chopped the hill overlooking Arorangi, Raemaru, in half. Later, a man called Ngare and a woman called Toko also came from ’Iva – Ngare gave his name to a stream in Arorangi, Vai-o-ngare. Toko named the passage through the reef at Arorangi, Vaitoke. In the ninth century two canoes arrived – one with a man called Ata-i-te-kura from ’Iva and one from Haapai (Tonga) with two brothers.
A legend from Puaikura tells the story of Rau Mataiapo and his son, who went to ‘Iva to obtain tattoo patterns (using highly prized kura feathers in exchange), but were killed for their efforts. His widow’s tears are said to have filled the ground and turned into a continuous spring named Vai-o-kura. About 1050, Toi of ’Iva built Rarotonga’s back-road, called Te Aranui o Toi (now called Ara-metua), which once completely encircled the island. It was paved for about two thirds of its length with flat volcanic stones. Its width was about 5-7 metres. Most of the road is still in use today, though it’s now tar-sealed.
The links weren’t just one way. Legends suggest that Rarotonga was well known to other islands in ancient Polynesia as a source of kura (red lorikeet) feathers. Aka (Rata) from the Marquesas lost up to 100 of the 140 men he travelled with in a perilous voyage to Rarotonga (A’otona) to get kura feathers. He is said to have obtained enough feathers to pay back the families of the deceased when he returned home.
In the saga of the discovery of Ma’uke island in the Cooks, there are chants which refer to ’Iva.
Nuku-ta’a-roa ki-’Avaiki, the ta’unga (priest), while dedicating the child, Uke, son of the chief, Tangaroa-nui, utters:
E ariki reia, e ariki puareia ki ’Iva.
Translation:
A chief with talisman necklace, a chief with flower necklace at ’Iva.
In the same story, Ma’uke’s discoverer, Uke, says to an enemy, whom he encounters on his voyage of discovery:
Ake koe e te tuna o Vaerota e porutu vave mai. Ka ’ iri’iri katoa atu au iaku kia kite koe. Ko au ko Uke Ariki, e tamaiti na Tangaroa-nui, e noo i te enua o te tane, koia taku pito enua ko Avaiki.
Translation:
Do not make noise yet, you eel of Vaerota. I will also introduce myself so you will know who I am. I am Uke Ariki, the son of Tangaroa-nui living in the land of men, which is my line of birth in ’Avaiki.
The references to the Marquesas, as in ‘’Iva’, and the ‘land of men’ (the name of the Marquesans for their islands – Henua Enana, Land of Men), is evident throughout the story.
Part II next week.